主体·时间·空间:新媒介文艺生成性研究

Subject,Time and Space:A Study of the Becoming of New Media Literature and Art

为进一步揭示新媒介文艺生产的深层媒介逻辑及社会历史语境,新媒介文艺生成性研究引入德勒兹的“生成”理论,通过将“生成”作为新媒介文艺的技术意向,开展对构成新媒介文艺生产域中作为基础锚点的主体、时间、空间的生成性探索。新媒介文艺生成性研究发现:新媒介的内在生成性偏向,使新媒介文艺生产域中的主体生成为人机间性主体,形成人机协作式生产;使时间生成为结晶化的星丛时间,引发时间生产力的增强、中间时间的开发、时间深度意识的退场;使游牧空间通过对物理空间的征服、差异空间的生产以及异质空间的创造实现空间生产力的增殖,为跨媒介叙事提供实践场所。

In order to further reveal the socio-historical context of new media literary production and its technical logic,Deleuze's theory of″Becoming″is used as a starting point for the study of the intentional structure of new media technologies and for exploring the subject,time and space that constitute the basic anchor points of the domain of new media literary production.The new media literary″becoming″reveals three aspects.Firstly,the subjects in the new media literary production domain have become intersubjectivity of human-computer,forming a collaborative human-computer production.Secondly,time is born as constellation time and discussed in terms of the enhancement of time productivity,the development of in-between time,and the exit of time depth consciousness.Thirdly,nomadic space proliferates spatial productivity through the conquest of physical space,the fusion of different spaces and the creation of heterogeneous spaces,providing a practice site for technological art and transmedia storytelling.