摘要
艺术生产同社会物质生产的不平衡关系是马克思主义理论中的经典议题。在苏联的社会主义现实主义和西方马克思主义的阐释之外,以拉斐尔和夏皮罗为代表的艺术史家分别对现代艺术进行内部和外部考察,开辟了一条马克思主义艺术史研究路径。拉斐尔从艺术作品内部的自爆性批判力量肯定了现代艺术与现实的相互“介入”,夏皮罗则从外部视角考察了现代艺术与社会生产和阶级发展状况之间的关系,并试图将现代艺术激活为日常革命的重要手段。两者具有开创性的理论探索,不仅为艺术生产不平衡关系开辟了新的阐释空间,也丰富和发展了马克思主义文艺理论。
The unbalanced relationship between artistic production and social material production is a classic topic in Marxism.Distinguished from Soviet socialist realism and Western Marxist interpretations,art historians Raphael and Shapiro conducted internal and external investigations of modern art,opening up a research path of Marxist art history.Raphael affirms the mutual intervention of modern art and reality from the self-exploding critical force inside the artwork.Shapiro examines the relationship among modern art and the state of social production and class development and attempts to activate modern art as an important means of daily revolution from an external perspective.Their groundbreaking theoretical exploration not only opens up new interpretative space for the unbalanced relationship between artistic production and social development,but also enriches and develops Marxist literary and artistic theory.
作者
胡敏
HU Min(Faculty of Liberal Arts,Shanghai University,Shanghai 200444,China)
出处
《西北大学学报（哲学社会科学版）》
CSSCI
北大核心
2024年第2期129-137,共9页
Journal of Northwest University：Philosophy and Social Sciences Edition
基金
国家社会科学基金重点项目“当代中国对话主义文学理论的话语建构研究”(22AZW003)
上海市教育委员会科研创新计划人文社会科学重大项目“新媒体艺术理论基本问题研究”(2023SKZD15)。
