“民族文艺”理论话语的内涵探析

On the Connotation of the Theoretical Discourse of“National Literature and Art”

“民族文艺”的话语生成发展及其各个阶段的不同表述贯穿了中国文艺现代化进程。“民族文艺”话语最初要求的是表现民族精神、民族情感,促进民族精神之发展。随着新民主主义革命的进展,“民族文艺”的话语内涵由原本的“中华民族的文艺”得到深化发展。在毛泽东的论述中,把“民族形式和国际主义的内容”相结合、创造“中国老百姓所喜闻乐见的中国作风和中国气派”的文艺,成为“民族文艺”的新表述。自此,“民族文艺”话语侧重强调文艺民族形式与民族特色,同时它又是共同民族心理结构与历史的民族形式的辩证统一;此外,民族文艺作为革命文艺,是为革命斗争服务的文艺,其采用民族民间的旧形式,并宣扬新民主主义革命的新内容。“民族文艺”话语内涵的生成与嬗变,对20世纪中国的文艺建设与实践产生了深远的影响。

The discourse generation and development of“national literature and art”and the different expressions in each stage run through the process of the modernization of Chinese literature and art.To express national spirit,national emotion and promote the development of national spirit is the initial requirement of“national literature and art”discourse whose connotation has been enriched with the progress of the new democratic revolution,and is given an emphasis to the national form and characteristics of literature and art in Ma Zedong's works.In addition,as a kind of revolutionary literature and art,national literature and art are created to serve the revolutionary struggle with old forms of national folk and new contents of new democratic revolution.The generation and evolution of the discourse connotation of“national literature and art”has had a profound impact on the construction and practice of Chinese literature and art in the 20th century.