传统民间传说的当代价值转化--以周大新《湖光山色》为例

The Transformation of Traditional Folklore to Contemporary Value:Taking Zhou Daxin's Scenery of Lake and Mountain as an Example

在《湖光山色》中,屈原、楚王、丹湖等民间传说成为助推情节发展的主要中间介质。首先,这些携带显性地域文化质素的民间传说展示了浓郁醇厚的楚地风韵,是对楚地地域文化的增饰与呈现。同时,男主人公“旷开田”与传说人物“楚王赀”身份与定位的巧妙对应,也诠释了民间传说在实现文艺转化之时的“置换”价值。此外,作为民间文化遗产的重要组成,民间传说也成为文艺演出的重要文化依托。其在当下文艺发生场域中的价值展呈,也为传统民间文化资源觅寻到新的文化定位与现实立场。

In Scenery of Lake and Mountain,folk legends such as Qu Yuan,King of Chu,and Dan Lake have become the main intermediaries that promote the development of the plot.Firstly,these folk legends carrying explicit regional cultural qualities showcase the rich and mellow charm of the Chu region,embellishing and presenting the regional culture of the Chu region.At the same time,the clever correspondence between the male protagonist Kuangkaitian and the legendary figure King of Chu in terms of identity and positioning also interprets the replacement value of folk legends in achieving literary and artistic transformation.In addition,as an important component of folk cultural heritage,folk legends have also become an important cultural support for artistic performances.Its value exhibition in the current field of literary and artistic development also seeks new cultural positioning and practical positions for traditional folk cultural resources.