城市的新景观、诗学隐喻与修辞语言——论小说、舞台剧和电视剧《繁花》

New Urban Landscapes,Poetic Metaphors,and Rhetorical Language:The Novel,Play,and TV Series of Blossoms Shanghai

金宇澄的小说《繁花》采取了图文并茂的方式来表现上海的城市空间,被认为是最好的表现上海的“城市小说”,舞台剧、电视剧《繁花》则通过舞台和影像直观地展现了上海的城市新景观。在舞台剧《繁花》中,导演马俊丰运用转台、多演区、多媒体等手段来展示舞台的假定性、空间性和意象性。电视剧《繁花》则拍出了20世纪80年代,尤其是90年代后的上海这个魔都的魅力。导演王家卫没有完全按照小说、舞台剧的散点式来结构,而是围绕着阿宝的焦点展开叙述,因此将电视剧《繁花》拍成了电影,或者说上升到了电影的高度。这也可以说是电视剧《繁花》的美学意义。

Jin Yucheng's novel Blossoms Shanghai depicts the urban space of Shanghai through words and illustrations,earning its place as one of the finest"urban novels"depicting the city.The play and TV series adaptations,in turn,visually showcase the new urban landscape of Shanghai.In its stage adaptation,Ma Junfeng utilizes revolving platforms,multiple performance areas,multimedia,and other techniques to demonstrate the hypothetical,spatial,and imagistic aspects of the stage.The TV series captures the charm of 1980-90s Shanghai,with Wong Kar-wai deviating from the narrative structure of the novel and play,instead narrating the story around the character A Bao,shooting the TV series as a movie and elevating it to the realm of cinematic artistry.This can also be viewed as the aesthetic significance of the TV adaptation.