从巴林左旗辽上京博物馆馆藏文物看中华民族多元一体格局

From the Collection of Cultural Relics in the Liaoshangjing Museum in Bairin Left Banner:A Perspective on the Multifaceted Unity of the Chinese Nation

契丹文化渊源地的西拉木伦河和老哈河流域正是草原游牧文化和中原农耕文化的接壤地。契丹人从游牧到定居,再到从事大规模城市建设活动等,都伴随着不同民族文化之间的相互碰撞与交流。辽上京临潢府是首个从草原崛起的大型城市,而现在的辽上京博物馆则是内蒙古自治区唯一一个以展览辽代皇城为主题的博物馆。辽上京博物馆馆藏文物中的壁画和墓志是其特色。辽上京博物馆收藏的滴水壶辽墓壁画是辽代壁画代表性作品。另馆藏的20多方墓志中,韩氏家族墓志是馆藏精品之一。这些巴林左旗辽上京博物馆馆藏文物更是体现出了中华民族多元一体格局。

The Xilamulun River and the Laoha River basins,the cradle of Khitan culture,lie at the juncture of the nomadic cultures of the grasslands and the agrarian cultures of the Central Plains.The transition of the Khitan people from nomadic life to settlement,followed by their engagement in large-scale urban construction activities,was marked by the constant collision and exchange between diverse ethnic cultures.The city of Linhuangfu in Liaoshangjing,the first large city to emerge from the grasslands,and the current Liaoshangjing Museum,the only museum in the Inner Mongolia Autonomous Region dedicated to exhibiting the imperial city of the Liao Dynasty,stand as testaments to this historical evolution.Among the museum's collection,the murals and epitaphs are of particular distinction.The drip pot mural from a Liao tomb in the museum's collection is a representative work of Liao Dynasty murals.Additionally,among the more than twenty epitaphs in the collection,the Han family epitaphs rank as one of the museum's premium collections.These cultural relics in the Liaoshangjing Museum in Bairin Left Banner are a reflection of the multifaceted unity of the Chinese nation.