摘要
社会大环境的剧变使建筑学的学科边界发生了变化,引发了业界关于新知识范式的思考。但与其盲目地展望未来,不如先追溯过去,梳理前人是以何种方式应对变化。文章以库哈斯的《癫狂的纽约》为研究蓝本,首先发现了罗伯特·文丘里和勒·柯布西耶对其影响。其次,分析了库哈斯在“非正统”与“正统”建筑学中的迂回过程。最终,库哈斯以“针”和“球”作为都市原型,形成了个人对于建筑学的新的见解,并运用独特的设计方式去回应了当代社会的变化。
The dramatic changes in the general social environment have shifted the disciplinary boundaries of architecture and provoked considerations about a new intellectual paradigm.But instead of looking forward to the future,we should first go back in time and sort out in what ways previous generations responded to change.Using Koolhaas' s Epileptic New York as a retrospective blueprint,this paper first identifies the influence of Robert Venturi and Le Corbusier.Second,Koolhaas' s detour between "unorthodox" and "orthodox" architecture is analyzed.Ultimately,Koolhaas uses the "needle" and "ball" as urban archetypes,and responds to the changes in contemporary society forming a "new" architecture.
出处
《建筑与文化》
2024年第1期213-216,共4页
Architecture & Culture
关键词
库哈斯
象征
集合
追溯
Koolhaas
symbolism
aggregation
retroactive