摘要
在20世纪中国美术史上,王子武将西方写实观念与传统中国画笔墨语言融会贯通,形成了一种厚重而不失灵动、严谨而充满生机、朴茂而意蕴深远的艺术风格。关中黄土大地厚重的文化根脉、“徐蒋体系”的造型观念和传统文人绘画的笔墨语言直接影响了王子武的艺术探索和理想追求,使其艺术道路呈现出一种入手于写实、出奇于写意、回归于写心的发展轨迹。
In Chinese art history of the 20th Century,Wang Ziwu integrated realistic concepts in the west with painting language of traditional Chinese painting,forming a serious but flexible,rigorous but vivid,and simple but meaningful artistic style.The time-honored cultural tradition in central Shaanxi Province,modeling concepts of the“Xu Beihong-Jiang Zhaohe system”and the painting language of traditional literati paintings directly influenced his artistic exploration and pursuit of dreams,which helped him embark on an artistic path that focused on realism,left an impression through freehand brushwork and returned to simplicity.
作者
刘艳卿
屈健
Liu Yanqing;Qu Jian(Northwest University;Xi’an Academy of Fine Arts)
出处
《美术》
北大核心
2024年第2期48-51,F0003,共5页
Art Magazine
基金
陕西省艺术科学规划项目《新中国西部题材现实主义美术创作研究》(项目编号:SY2021004)
文化名家暨“四个一批”人才自主选题资助项目
陕西省“三秦学者”创新团队支持项目(2022)的阶段性研究成果。
关键词
王子武
人物画
徐蒋体系
长安画派
Wang Ziwu
figure painting
the Xu Beihong-Jiang Zhaohe system
the Chang’an School