摘要
本文从创作经验阐述的角度出发,借助视知觉原理和构图美学的分析方法,介绍了近年来创作的系列主题性版画的选题立意、创作思维、风格面貌,尤其对超大型主题性版画创作如何展开做出详细解读,进而论述“点线面的组合与律动——建筑主体”“肌理与色彩的应用——人物主题”两方面在主题性版画创作应用中的可行性、合理性,并总结提出主题性版画创作的“构想法”,来创新主题性版画创作的方法论。
Using analytical methods of the sense of vision principle and composition aesthetics,this article introduces the author's creation experience,namely the theme choice,creation conception and style of a series of theme-based prints created in recent years,and interprets in detail the way of creating super-large theme-based prints.It then discusses the feasibility and rationality of athe combination and rhythm of point,line to planeDthe main body of a buildingo and athe application of texture and colorDwith figure as the themeo in the creation of theme-based prints,and proposes the aconception methodo to innovate the methodology of the creation.
作者
沙永汇
Sha Yonghui(Print Institute,China National Academy of Painting)
出处
《美术》
北大核心
2024年第2期58-61,F0002,共5页
Art Magazine
关键词
主题性美术创作
版画
构成
造型
theme-based print creation
print
composition
modelling