写生视域下《与阿Q像》的形象生成与艺术追求

Image Creation and Artistic Pursuit of the Portrait of Ah Q from the Perspective of Sketching

本文以具体化视角梳理蒋兆和《与阿Q像》的形象生成,结合时代情境分析其创作观念和方法,由此呈现写生视域下“阿Q”如何从特定文本的再创造,转换为对社会现实的图像表达。相对于同时期的“阿Q群像”,蒋兆和凭借模特写生的方法使作品具备了形象上的真实感;而特定时代下的“游民”体验,则奠定了创作的深层精神基础;写实的表现手法和神情动态的定格捕捉,又进一步强化了源于现实生活的实感。可以说,《与阿Q像》既是对鲁迅原著的创造性阐释,也是对社会现实情境的视觉建构。

This article demonstrates how “Ah Q” is shifted from the recreation of a text to the expression of social reality from the aspect of sketching, by analyzing the creation of the image Portrait of Ah Q by Jiang Zhaohe, who gave an abstract figure in novel a concrete image, and his creation concepts and methods based on the society back then. Jiang created a more vivid portrait through model sketching than various Ah Q portraits of the same period;his experience of being displaced during a certain period laid a solid mental foundation for creation;and realistic painting techniques and the capture of expression made the portrait very realistic. It can be said that the Portrait of Ah Q is a creative interpretation of Lu Xun's novel the True Story of Ah Q, and a visual expression of social reality.