VR影像的镜头“误读”与空间蒙太奇考察

Lens Misreading of VR Image and the Spatial Montage Research

目前,学界对VR镜头的讨论集中于长镜头层面,而VR的蒙太奇属性也需要被关注。VR影像语言更接近计算机语言而非电影语言。VR蒙太奇的本质是一种基于镜头之间空间关系转换的运动。VR影像不仅实践着数字时代的空间蒙太奇语义,也与早期蒙太奇学派的理论产生联系,拓展蒙太奇理论的当代应用场景。基于全景空间建立的VR影像,存在并置影像、蒙太奇句子、转场方式与单镜头内部蒙太奇等空间蒙太奇形态,它正在生成数字时代的VR蒙太奇语言。

At present,the academic discussion on VR lens focuses on the long shots,but the montage attribute of VR also needs to be paid attention to.The VR image language is closer to the computer language rather than the film language.VR images not only practice the semantics of spatial montage in the digital age,but connect with the theory of early Soviet montage theory to expand the contemporary application scenarios of montage theory.Based on panoramic space,VR images include spatial montage forms such as juxtaposition image,montage sentences,transition and montage within a single shot,which are generating VR montage language in the digital age.