尚香之风——宋代七里镇窑与吉州窑香炉的儒禅之辩

The Wind of Shang Xiang——The Confucian Zen Debate Between the Qilizhen Kiln and the Jizhou Kiln Incense Burner in the Song Dynasty

宋代瓷香炉盛极一时,源于尚香之风的风靡。市场上看到的瓷香炉造型黑釉香炉很少,大多是以青白釉色造型出现。黑釉香炉在江西省吉州窑与七里镇窑地区存在一部分。吉州窑与七里镇窑的黑釉香炉,它们在瓷器表层装饰上差别很大但是在形状和构造上相似。摸索宋代吉州窑与七里镇窑黑釉香炉造物心理动机背后产生的不同文化源流,可以通过比较二者在造型、装饰上的区别与联系,剖析其使用黑釉香炉的目的以及与不同接受群体之间的关系。

The popularity of porcelain incense burners during the Song Dynasty was stemmed from the prevailing trend of appreciating incense.There are very few black glaze incense burners seen on the market,and they mostly appear in blue and white glaze shapes.Some black-glazed incense burners existed in the kiln regions of Jizhou and Qilizhen in Jiangxi Province.The black-glazed incense burners from the Jizhou kiln and the Qilizhen kiln exhibit significant differences in surface decoration while being similar in shape and construction.By exploring the distinct cultural origins behind the psychological motivation behind the creation of black-glazed incense burners in Jizhou kilns and Qilizhen kilns in the Song Dynasty,we can compare the differences and connections in their shapes and decorations and analyze the purpose of using black-glazed incense burners and their relationships with different target audiences.