浅谈藏族舞蹈中民族传统文化的重要性——由参演舞蹈《藏家少女初长成》引发的思索

On the Importance of Traditional Ethnic Culture in Tibetan Dance——Thoughts triggered by participating in the dance"Tibetan Girl Begins to Grow Up"

藏族,长期生活在高原、高寒、地广人稀的青藏高原及其周边的云、贵、川地区,在相对封闭的地域环境中,形成了独特的深具佛教思想与民族个性化的风俗习性;同时在恶劣的环境中也造就了其乐观开朗、粗犷豪迈的性格特征。在改造和征服青藏高原的进程中,藏族人民创造出极具民族属性的独特民族文化资源。藏族歌舞更是藏族传统文化中的重要组成部分,由于藏族寄居环境地域辽阔且长期与周边其他民族交流往来,藏族民间舞蹈在具有统一性的同时,不同地区也存在着一定的元素差异性。藏族民间舞蹈是藏族人民生活的缩影,包含着藏民族的民族情感、宗教信仰、风俗习惯等文化现象。本文依据安多地区藏族民风民俗、宗教信仰、族群关系等,对安多藏族舞蹈《藏家少女初长成》的“传统文化内涵”和风格特点进行分析梳理,通过这种梳理,揭示藏族民间舞蹈内蕴的神秘面纱和发展轨迹,探索其内在深厚的传统文化内涵,以期达到对地域性民族民间舞蹈传承与保护提供真正切实可行的理论依据。

The Tibetan people have long lived in the Qinghai Tibet Plateau and its surrounding areas of Yunnan,Guizhou,and Sichuan,where the land is vast and sparsely populated.In a relatively closed regional environment,they have formed unique customs and habits that are deeply rooted in Buddhist thought and ethnic individuality;At the same time,in the harsh environment,it has also created its optimistic,outgoing,rough and bold personality traits.In the process of transforming and conquering the Qinghai Tibet Plateau,the Tibetan people have created unique ethnic cultural resources with strong ethnic attributes.Tibetan song and dance are an important component of Tibetan traditional culture.Due to the vast territory of Tibetan living environment and long-term exchanges with other neighboring ethnic groups,Tibetan folk dance not only has unity,but also has certain element differences in different regions.Tibetan folk dance is a microcosm of Tibetan people's lives,containing cultural phenomena such as ethnic emotions,religious beliefs,and customs of the Tibetan nation.This article analyzes and sorts out the"traditional cultural connotations"and stylistic characteristics of the Anduo Tibetan dance"The First Growth of Tibetan Girls"based on Tibetan folk customs,religious beliefs,and ethnic relationships in the Anduo region.Through this sorting,it reveals the mysterious veil and development trajectory of Tibetan folk dance,and explores its profound traditional cultural connotations,In order to provide a truly practical theoretical basis for the inheritance and protection of regional ethnic folk dance.