《长恨歌》:自恋、主体性缺失及匮乏需求的关系

The Song of Everlasting Sorrow: The Relationship between Narcissism,Lack of Subjectivity and Lack of Needs

《长恨歌》通过对王琦瑶的形象塑造揭示了上海阶层女性的生命形态和生存方式。小说把20世纪40年代到80年代的几个历史节点融进小说的发展脉络,展现了王琦瑶传奇、迷惘而又悲剧的一生。在大起大落、悲喜无常的女性生存中揭示:自恋是一切的因和果,它隐藏在人性底色中不能拔除,继而导致一个个更可悲的连锁反应。自恋、主体性缺失与匮乏需求增强,三者形成了紧密嵌套的因果闭环。过度自恋导致女性主体性缺失,进而使其困在匮乏和索取的低级层面拒绝自体真正成长,反过来又进一步加重自恋,导致最终的悲剧。

The Song of Eternal Sorrow reveals the life form and way of life of Shanghai's class women by portraying the image of WANG Qiyao.The novel integrates several historical nodes from the 1940s to the 1980s into the development of the novel,showing WANG Qiyao's legendary,lost and tragic life.Revealed in the ups and downs,joys and sorrows of female survival:narcissism is the cause and effect of everything.It is hidden in the background of human nature and cannot be uprooted,leading to even more tragic chain reactions.Narcissism,lack of subjectivity,and increased demand for scarcity form a tightly nested causal loop.Excessive narcissism leads to the loss of female subjectivity,further trapping them in the lower levels of scarcity and demand,rejecting their true growth,which in turn further exacerbates narcissism and leads to the ultimate tragedy.