摘要
蒋孔阳的实践美学思想具有重要的承上启下的作用,既有对20世纪50年代美学探讨的反思,也有80年代美学的新拓展,同时立足于综合统一,以继承、批判、重构的视角进一步解析当代美学,既体现了变革思维逻辑的反思性美学,也形成了综合统一的体系性美学和富有生命活力的开放性美学,其对美学的深入思考和独特见解,为我们提供了一种新的审美视角和美学思考路径,在21世纪美学发展中投射出“蒋孔阳美学效应”。
Jiang Kongyangs Practical Aesthetic ideas play an important role in connecting the past with the future.His ideas have a reflection on the exploration of aesthetics in the 1950s and there is also aesthetic extension in the 1980s,based on synthetic unity,his ideas analyse Contemporary Aesthetics further from the Perspec-tive of Inheritance,Criticism,and Reconstruction.It not only reflects the reflective aesthetics with the logic of changing thinking,but also forms a comprehensive and unified systematic aesthetics and an open aesthetics that is full of vitality.His pen-etrative thinking and unique insights into aesthetics,provide us with a new aes-thetic perspective and thinking path,and cast the“Jiang Kongyangs Aesthetic Effect”in the Development of Aesthetics in the New Century.
作者
罗曼
Luo Man(College of Literature,Harbin Normal University)
出处
《美学与艺术评论》
2023年第2期31-39,223,224,共11页
Journal of Aesthetics and Art Review
关键词
实践美学
蒋孔阳
当代美学
思维
效应
Practical Aesthetics
Jiang Kongyang
Contemporary Aesthetics
thinking,effect