自然·时空·体验——大地艺术的禅宗美学表现

Nature,Time and Experience:The Zen Aesthetic Expression of Land Art

20世纪60年代末,大地艺术在美国产生。大地艺术的直接源流是稍早出现的偶发艺术、激浪派、极简主义,这些运动不同程度地反映出禅宗美学意味。作为这些运动间亲缘性基础的禅宗,与20世纪禅宗西传及“禅学热潮”背景密切关联。禅宗的“自然”观、“空”“悟”“不二之法”内容,创造性地反映在大地艺术中,大地艺术在自然观、时空观、体验性方面有着明显的禅宗美学表现。

Land art emerged in the United States in the late 1960s.Its direct sources are the earlier movements of Happening,Fluxus,and Minimalism,all of which to some extent reflect Zen aesthetic meaning.Zen,which serves as the basis of affinity between these movements,is closely related to the background of Zens transmission to the West and the“Zen boom”in the 20th century.The main contents of Zens view of nature,emptiness,enlightenment,and the principle of nonduality are creatively reflected in land art.Land art has obvious Zen aesthetic expressions in its approach to nature,its view of time and space,and its emphasis on experientiality.