摘要
今世高科技发展掀起融界风潮,推动文舞融合向跨媒介叙事方向发展。跨媒介舞文的概念观点、关键术语、研究对象、方法方向等理论阐释以符号学、后经典叙事学、媒介学等为根基,讲究光合融界。今世数字舞蹈叙事为镜头而舞,“舞蹈+影像”叙事有更丰富的表现力;国风舞蹈叙事活化名画、名文、名香、书法、建筑、敦煌等文化符号,古今融界探索舞蹈与传统文化融合可能性,注重扩大国际影响力。
High⁃tech development today has set off a surge of convergence,and pushed the integration of literature and dance to the direction of cross⁃media narration.The theoretical interpretation of cross⁃media dance literature,such as notions and opinions,key terms,study objects,and methods and directions,is based on semiotics,post⁃classical narratology,and media studies,and pays attention to“photosynthetic”convergence.Today’s digital narrative of dance dances for the camera,and the narrative of“dance+image”is more expressive.The narrative of Chinese style dance activates cultural symbols such as famous paintings,famous texts,famous incense,calligraphy,architecture,and Dunhuang,etc.,and explores the possibility of the integration of dance and traditional culture in ancient and modern times,focusing on expanding international influence.
作者
凌逾
LING Yu(School of Chinese Language and Literature,South China Normal University,Guangzhou,Guangdong 510631,China)
出处
《河北师范大学学报(哲学社会科学版)》
2024年第2期52-58,共7页
Journal of Hebei Normal University(Philosophy and Social Sciences)
基金
国家社会科学基金重点项目“网络智能时代中国文艺与科技融媒介传播研究”(项目编号:21AZW021)。
关键词
文舞融合
跨媒介舞文
融界潮
数字舞蹈叙事
国风舞叙事
integration of literature and dance
cross⁃media dance literature
tide of convergence
digital dance narrative
narration of Chinese⁃style dance