迈向行星电影

Towards a Planetary Cinema

在斯皮瓦克提出“行星性”概念20年后,面对技术奇点和“人类世”的双重危机,“行星”和“行星性”获得了新的时代含义并重新成为学术热点,引发了新的学术转向,使得“行星艺术”和“行星电影”这些属于时代的概念相继出现。以“行星”概念的发展轨迹为基础,可以通过“地表—地质—行星”的认知脉络来澄清电影媒介的“行星性”,并通过行星视觉、行星触感和行星思维这三个方面来把握“行星电影”的概念及其内涵,从而呼唤这个时代可能的“行星电影”。

Twenty years after Spivak proposed the concept of“planetary”,facing the dual crisis of technological singularity and the Anthropocene,“planets”and“planetary”have gained new era meanings and become academic hotspots again,triggering a new academic turn,leading to the emergence of concepts belonging to the era such as“planetary art”and“planetary cinema”.Based on the development trajectory of the concept of“planets”,the“planetary nature”of film media can be clarified through the cognitive context of“surface geology planets”,and the concept and connotation of“planetary cinema”can be grasped through three aspects:planetary vision,planetary touch,and planetary thinking,thus calling for possible“planetary cinema”of this era.