行星思维与行星艺术

Planetary Thinking and Planetary Arts

在“人类世”的种种危机下,以迪佩什·查克拉巴蒂为代表的一些学者呼吁从全球化思维转向行星思维,以超越人类中心主义的视角来思考人类历史和生命、非生命之间的复杂关系。许煜和布拉顿都强调技术圈对推进行星认识论的重要作用;“堆栈”则向我们显示了利用数字技术来反抗单边政治的可能性;当代行星艺术也呼应数字技术的发展,进行积极转化,打破“人类—技术—环境”的边界,将艺术变成宇宙物质历史过程中的可感片段,并为观众营造一个与非人的行动者不断演练“宇宙政治”的剧场。

In the face of various crises in the Anthropocene,some scholars represented by Dipesh Chakra-barty call for a shift from global thinking to planetary thinking,transcending the anthropocentric perspective to consider the complex relationship between human history and the diverse scales of non-human.Scholars such as Yuk Hui and Bratton both emphasize the important role of the technological circle in advancing planetary epistemology;The stack shows us the possibility of using digital technology to resist unilateral politics;Contemporary planetary art also echoes the development of digital technology,actively transforming and breaking the boundaries of“humanity-technology-environment”,turning art into a perceptible fragment of the material history of the universe,and creating a theater for audiences to constantly practice“cosmic politics”with non-human actors.