景观展演与意义图示--媒介迭代下中国电影神话场景重构研究

Display of Spectacle and Image Schema:A Study on the Reconstruction of Mythological Scenes in Chinese Films under Media Iteration

在媒介迭代的视域下,电影中神话场景的生产发生了变化,广义的神话成为表达权力的工具、创造奇观的材料或跨越现实与虚幻边界的桥梁。中国电影中的神话场景在媒介迭代下重构了宏大古老的文化意涵,在呈现故事情节和角色命运时被重新体认。以景观理论为灵感路径,结合具体案例,可将电影重构神话场景的现象总结为:权力表达的更新、奇观物恋的加剧和边界探索的尝试。对此,可以通过“景观展演”的内在逻辑分析其视听表达,通过神话“意义图式”的构成探究其文化价值。

In the context of media iteration,the production of mythological scenes in films undergoes changes.Generalized mythology becomes a tool for expressing power,a material for creating wonders,or a bridge connecting the boundaries of reality and illusion.The mythological scenes in Chinese films have reconstructed the grand and ancient cultural connotations through media iteration,and are recognized in presenting the story plot and character fate.Taking spectacle theory as the inspiration path and combining with specific cases,the phenomenon of reconstructing mythological scenes in films can be summarized as:the renewal of power expression,the intensification of spectacle fetishism,and attempts to explore boundaries.The internal logic of“Display of Spectacle”can be used to analyze its audio-visual expression,and its cultural value can be explored through the composition of the mythological“Image Schema”.