摘要
在区域国别学视野下,古代沿袭至今的云南与东南亚传统器乐的区域性特点,并非仅仅是指以某一两件乐器或个别乐种为代表的纯器乐表演类型及其横向分布,而是涉及一个包含雅、俗两个子系统层面,并与戏剧、舞蹈及声乐紧密结合,“歌、舞、乐”三位一体的完整乐舞文化系统。古代的“雅、俗”子系统较多涉及官方(或宫廷)文化与民间文化的纵向阶层关系,如今则更多指一种建立在城乡纵横相间关系基础上的较新的社会阶层关系。讨论和分析从古滇乐、骠国乐、百夷乐、“粗、细”缅甸乐到当代器乐的发展变迁,或许能从史料、图像和活态表演中去梳理、探视和还原云南与东南亚的传统器乐群落状貌。
From the perspective of regional and national studies,the regional characteristics of traditional instrumental music in Yunnan and Southeast Asia,which have been inherited from ancient times to the present,include two sub-systems,the elegant and the vulgar,and are closely integrated with drama,dance and vocal music.In ancient times,the elegant and vulgar subsystems mostly involved the vertical class relationship between official(or court)culture and folk culture,and now it refers to a new type of social class relationship based on the vertical and horizontal urban-rural relations,
出处
《音乐艺术（上海音乐学院学报）》
北大核心
2023年第4期48-60,共13页
Art of Music(Journal of the Shanghai Conservatory of Music)
基金
2020年国家社科基金艺术学课题“南方跨界族群音乐民族志的理论建设和选点、比较研究”阶段性成果,项目批准号:20BD068。
