媒体视域下妈祖的集体记忆与社会认同——影视创作与古史记载的异同探寻

Collective Memory and Social Identity of Mazu from a Media Perspective——Exploring the Similarities and Differences between Film and Television Adaptations and Historical Records

历经宋、元、明、清的36次褒封后,妈祖林默娘从一位民间渔家女的历史人物,递变成为今日横跨全世界拥有三亿多信众的海神天后。其相关影视作品大抵以《天后志》与《天妃显圣录》记载为本进行演绎,因此产生了不同的创作观点与内容。本文试图透过对《海之传说:妈祖》《妈祖》《妈祖的传说》这三部动画、电视剧与剧情片不同类型作品的解构,进行妈祖集体记忆与社会认同的探究。

After being honored 36 times by the Song,Yuan,Ming,and Qing dynasties,Mazu Lin Moniang,from a historical figure of a common fisherman woman,transformed into the sea goddess Tianhou with over 300 million followers worldwide.The related film and television works,mainly based on the records of"Tianhou Zhi"and"Tianfei Xianshenglu,"have different creative perspectives and content.This paper aims to explore the collective memory and social identity of Mazu through the deconstruction of three different types of animated films,TV dramas,and feature flms:"The Legend of the Sea:Mazu""Mazu"and"The Legend of Mazu".