摘要
藉由长时段、多角度材料研究,揭示原中广大电台由概念、规划到设计、建造乃至开幕、运营的历程:技术影响之外,国民政府对城市规划与宣传导向的思考、本土设计者对建筑风格的主动选择,共同构成了“近世本土”语境,深刻影响了原中广大电台在“技术代表”与“宣传符号”层面的形象塑造,更在技术与时代的更迭后,反映出1930年代中国社会对此类技术建筑的认知。
By a study of long duration with multi-perspective materials,this paper reveals the process of conceptualization,planning,design,construction,inauguration,and opera tion of the Zhongguang Grand Broadcast Station.It discovers that,in addition to technical influence,the considerations of urban planning and propaganda guidance of the Nanjing Nationalist Government,as well as the proactive choices of architectural styles local designers,collectively constitute a "modern local" context which profoundly affects the image construction of the Central Broadcast Station at the levels of "technological representation" and "propagandistic symbol".Furthermore,after the changes in technology and era,it reflects the perception of such technological buildings in the Chinese society in the 1930s.
作者
郎烨程
沈旸
俞海洋
相睿
LANG Yecheng;SHEN Yang;YU Haiyang;XIANG Rui
出处
《建筑学报》
北大核心
2024年第2期98-105,共8页
Architectural Journal
基金
国家自然科学基金重点项目(52038007)
国家社会科学基金研究专项项目(22VMZ004)。