摘要
甲骨文自20世紀以來,已成爲書法藝術學習取法的重要範本,然而隨着當代書法藝術的繁榮,甲骨文書法創作在國展中却略顯凋敝。論文以甲骨文書法創作在國展中的現狀及存在問題爲綫索,回顧20世紀以來的甲骨文書法創作,基于甲骨語料整理及書法審美的角度,對甲骨文書法創作提出相應的建議,希望對甲骨書法創作有所幫助。
Since the 20th century,the oracle bone script has become an important model in the practice of calligraphy.However,while other genres of contemporary calligraphic art are flourishing,the works created in the style of the oracle bone inscriptions,which have been displayed in national exhibitions of calligraphy and seal-engraving promoted by the Chinese Calligraphers'Association,are distinctly lacking in animation.This paper aims to analyze the current situation and to identify the shortcomings of the calligraphic works in the oracle bone script displayed in national exhibitions since the 20th century.Moreover,based on an analysis of the corpus of the oracle bone inscriptions and on the aesthetics of calligraphy,it puts forward suggestions regarding the artistic creation of calligraphic works in the oracle bone script,in the hope of promoting calligraphic creation in this script.
作者
胡長春
張會鋒
HU Changchun;ZHANG Huifeng
出处
《书法研究》
CSSCI
北大核心
2024年第1期60-77,195,共19页
Chinese Calligraphy Studies
关键词
甲骨文
語料
書法創作
審美
oracle bone inscriptions
corpus
calligraphic creation
aesthetic appreciation