期刊文献+

从现场出发——20世纪90年代以来四川美术学院的油画创作

Starting from the Scene:Oil Painting Creation of Sichuan Fine Arts Institute since the 1990s
原文传递
导出
摘要 长期以来,美术界一直关注四川美术学院的油画创作现象。过去的研究多集中在20世纪80年代初的伤痕美术、乡土绘画等,对90年代以来四川美院油画创作的新变化缺乏完整深入的了解和探究。本文梳理了四川美术学院油画近30年的创作历程,对这段时期绘画风格演变和艺术观念转向的历史动因和内在逻辑展开全面分析,试图厘清四川美院当代油画的发展脉络,并阐释其艺术史意义。此外,本文还结合四川美院油画系教学实践的几次重要转型,为相关分析和阐释补充一种“内在”视角。 The art community has long been paying attention to the oil painting creation of Sichuan Fine Arts Institute.Research in the past mainly focused on scar art and rural painting in the early 1980s,but a complete,in-depth understanding and exploration of changes in oil painting creation of Sichuan Fine Arts Institute since the 1990s still lacks.This article combs through the Institute's oil painting creation in the past three decades and comprehensively analyzes the historical reasons and internal logic of changes in styles and artistic concepts during this period,to make clear the development trajectory of contemporary oil painting in the Institute and elaborate on its significance in art history.In addition,this article provides an"internal"perspective for relevant analysis and interpretation based on several important shifts in the teaching practice of the Institute's Oil Painting Department.
作者 王鹏杰 Wang Pengjie(the School of Fine Arts,Sichuan Fine Arts Institute)
出处 《美术》 北大核心 2024年第3期54-57,共4页 Art Magazine
关键词 四川美术学院 城市题材 语言纯化 图像绘画 新卡通绘画 Sichuan Fine Arts Institute urban themes language purification image painting new cartoon painting
  • 相关文献

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部