摘要
20世纪30年代,一批留学比利时研习美术的学子的归国,使得中比美术交流的方式和渠道由最初的美术展览延伸到美术教育,赴比学习的美术留学生作为文化传播渠道在中比美术交流中起到至关重要的作用。本文通过对20世纪30年代相关展览及留比美术群体的研究,以中比美术交流为线索,挖掘美术交流史中被遮隐的发展脉络,进而探讨中比美术交流互鉴对中国美术发展起到的作用和意义。
The return of students who studied art in Belgium in the 1930s extended ways and channels of art exchanges between China and Belgium from art exhibitions to art education.These students served as a channel of spreading culture and played an important role in art exchanges between the two countries.By studying these students and relevant exhibitions in the 1930s,this article explores artistic development hidden in art exchanges between China and Belgium and discusses the impact and significance of art exchanges and mutual learning between the two countries on the development of Chinese art.
作者
王秀燕
Wang Xiuyan(the School of Arts Humanities,Tianjin Academy of Fine Arts)
出处
《美术》
CSSCI
北大核心
2024年第3期72-81,共10页
Art Magazine
关键词
比利时现代美术展览会
中国美术展览会
美术留学生
美术交流
Belgium Modern Art Exhibition
China Art Exhibition
students who studied art abroad
art exchanges