民族图像与国家认同——东正教圣像画对20世纪初俄罗斯先锋派艺术的影响

National Image and National State Identity:Influence of Eastern Orthodox Iconography on Russian Avant-Garde Art in the Early 20th Century

东正教是俄罗斯民族生活的精神基础,东正教圣像画是俄罗斯民族的重要文化符号。本文探讨了在20世纪初期现代主义背景下,俄罗斯先锋派艺术家如何重新发现圣像画,如何将圣像画的形式语言、超验性以及物质材料运用融入原创性的艺术实验,从而在凝聚民族身份认同的过程中形成民族图像与民族国家的互构。

The Eastern Orthodoxy is the spiritual foundation for Russian people in their life,and Eastern Orthodox iconography is an important cultural symbols of Russian nation.This article explores how artists of Russian avant-garde rediscovered Orthodox iconography in the context of early 20th Century modernism,and how they integrated the forms,transcendentalism and materials of Orthodox iconography into original artistic creation,which formed the mutual construction of national image and nation state in coalescing national identity.