摘要
20世纪五六十年代“劳动大场景”山水画是一种融合人物与山水的综合画体,借助以“人”“景”“物”为表现主体的三种视角,将传统笔墨与时代发展相结合,形成场面宏大、构图饱满的叙事特征,蕴含丰富的历史和文化内涵。
The"grand working scene"landscape painting of the 1950s and 1960s is a kind of comprehensive painting that integrates figures and landscape.With the three perspectives of"figures","landscape"and"objects"as major subjects,this kind of painting connects traditional painting with the development of the times,constituting a narrative featuring grand scenes and rich content,which contains rich historical and cultural connotations.
作者
王志
Wang Zhi(the School of Art,Lianyungang Normal College)
出处
《美术》
CSSCI
北大核心
2024年第3期138-140,共3页
Art Magazine
基金
江苏省教育科学规划重点课题项目《中国“劳动大场景”山水画的育人功能研究》(项目编号:B/2022/01/111)的阶段性研究成果。
关键词
劳动大场景
山水画
叙事方法
grand working scenes
landscape paintings
narrative methods
