摘要
当代黔东南苗族小说创作丰富、民族文化渊源深厚、地域特色突出,可视为中国少数民族文学创作中的一个典型存在。它在数代作家的丰富创作中串联起时间线性的民族性表达,在文本生成过程中展露着第二语言的叙事努力。文章综合考量其作为民族文艺表达形式之一的传承创新何在,通过对其文本中的民族性表达及苗语汉译后的谐音表达深入分析,进一步探究其在文学层面与民族文化层面互动失衡之困境。
The contemporary Miao novels of Qiandongnan can be regarded as typical existence in the literary creation of Chinese ethnic minorities because of its rich creation,deep ethnic and cultural origins,and outstanding regional characteristics.It strings together temporally linear expressions of ethnicity in the rich creations of multiple generations of writers,and exhibits the narrative efforts of a second language in the process of text generation.This paper synthesizes the consideration of its inheritance and innovation as one of the forms of expression of national literature and art.It and further explores the dilemma of the imbalance between its literary and ethnocultural interactions through an in-depth analysis of the ethnic expressions in its texts and the harmonic expressions in the Chinese translation of Miao.
出处
《高原文化研究》
2023年第4期131-137,共7页
Plateau Culture Research