立足民族本位,面向时代生活——基于现象学方法的傅抱石绘画思想研究

Based on the national standard and facing the life of the times——Research on Fu Baoshi's painting thought based on phenomenological method

胡塞尔现象学强调面向事物本身,寻求从本体论角度探讨事物的存在,同时又指出主体与主体之间的主体间性之维,要求从价值论角度整体观照事物。这对全面理解把握傅抱石绘画思想和创作具有借鉴意义。傅抱石始终坚持民族立场,强调中国画的传统路径,实际源于其对中国画艺术的本体定位和确证;傅抱石认为中国画应因时而变,强调中国画的现实性精神和时代性品格,这是立足于中国画艺术的价值论维度提出的。这种既坚守民族本位又积极适应时代社会生活的艺术创作思路从根本上回答了中国艺术现代化应当如何的问题,对于当前艺术现代化建设具有重要启示意义。

Husserl's phenomenology emphasizes facing things themselves,seeking to explore the existence of things from the perspective of ontology,and at the same time points out the dimension of intersubjectivity between subjects,requiring a holistic view of things from the perspective of axiology.This is of reference significance for comprehensively understanding and grasping Fu Baoshi's painting thought and creation.Fu Baoshi always adheres to the national position and emphasizes the traditional path of Chinese painting,which actually stems from his ontological positioning and confirmation of Chinese painting art;Fu Baoshi believes that Chinese painting should change with time,emphasizing the realistic spirit and the character of the times,which is based on the axiology dimension of Chinese painting art.This idea of artistic creation,which not only adheres to the national standard but also actively responds to the social life of the times,fundamentally answers the question of how China's artistic modernization should be,and has important enlightenment significance for the current artistic modernization.