“无法被改编的小说”——米兰·昆德拉反图像写作研究

“The Unadaptable Novel”:Research of Milan Kundera’s Anti-image Writing

以语图关系切入,探究昆德拉的思想理论和写作实践,可以得出其文学作品的反图像性。具体表现为两点:一是抽象议题代替具象情节,成为小说叙述的主体,是谓具象与抽象的颠倒;二是充分利用语言不同于图像的“实指”特色,从而在概述、叙述转换以及本质揭露功能上获得自己的相对叙述优势。昆德拉书写体现出的“反图像”性,在当今语图边界变动、图像和语言的关系出现“历史性的颠倒”时,找到了一条独属于文学的“可能路径”。

By exploring Kundera’s ideological theory and writing practice,we can get the antiimage characteristic of his literary works.These characteristics can be summarized by two points:first,the abstract topic replaces the concrete plot and becomes the body of the novel narrative,which is the reversal between abstraction and concretion;the second is to make full use of the“actual reference”characteristics different from the image,so as to obtain their relative narrative advantage in the area of overview,narrative transformation,and essence discover.The feature of“anti-image”reflected in Kundera’s writing finds a“possible path”unique to literature when the changes of the boundary of the language-image and the relationship between image and language appear“historically reversed”.