中国影视民族学历史缘起、功能和分类

The Historical Origin, Function, and Classification of Chinese Visual Ethnology

影视民族学在国际人类学民族学中已经是一个“显学”,是一个代表现代性的学科,中国的影视民族学也在百年中取得了显著的进步和发展,但其学科地位与自己的贡献不符,还有许多问题值得我们去探讨和研究。梳理现当代中国关于影视民族学的概念,认为中国从概念起就根据自己的实际发展了影视民族学的概念,并且在其后追索了影视民族学的历史缘起。在中国百年的影视民族学实践中,还从拍摄原则、功能和作用认知、影视民族志影视片的分类等方面发展了自己具有特色的实践理性认知,进一步推动了中国影视民族学的研究和拍摄。

Visual ethnology has been an"prominent subject"in the international anthropology and ethnology,which is a discipline representing modernity.Chinese visual ethnology has made significant progress and development,while its academic status is not equal to its contribution.So problems are still worth to study.By retrospecting the conception of contemporary visual ethnology in China,this article proposes that China has developed visual ethnology according to own actual.In hundreds of years long practicing of visual ethnology,China has developed its own distinctive practical rational cognition in the principles,functions,and roles of filming,as well as the classification,and further promoted the research and filming of visual ethnology.