作为“数字人文2.0”的新媒介文艺批评

Literary Criticism of New Media as the“Digital Humanities 2.0”

新媒介文艺批评是从“数字人文2.0”切入的,当前的批评实践还不成熟。作为“数字人文2.0”的新媒介文艺批评应具备两个基本属性,即智能化与数字人文主义。智能化指向的批评方法,具体即在接纳文艺批评具有科学性前提下将各种数字技术特别是人工智能应用于实践的批评方法。数字人文主义指向的是思想模式、价值观以及核心性评价标准,其基本内涵即在一个“转译”与“纯化”双重实践造就的“杂合体”世界中,将人置于万物平等、万物互通的数字化生态环境中,以开放多元共存主体观,思考和确定人的存在方式、追求人类的理想生活。

As the“Digital Humanities 2.O,”the new literary criticism should have two basic attributes,namely intelligentization and digital humanism.The intelligently oriented criticism method applies various digital technologies,especially artificial intelligence,to practice under the premise of accepting artistic criticism to be scientific.Digital humanism refers to the ideological patterns,values and core evaluation criteria.Its basic connotation is to place people in a“hybrid”world created by the dual practice of“translation”and“purification,”and a digital ecological environment where all things are equal and interconnected,and to think about and determine the way of human existence and pursue the ideal life of human beings with an open and diverse perspective of coexistence.