维特根斯坦哲学视角下的商周青铜器纹饰研究

The Logical Structure Analysis of Shang and Zhou Dynasty Bronze Ornamentation from Wittgenstein's Philosophical Perspective

文章基于维特根斯坦的哲学符号学思想,以商周时期的青铜器纹饰为研究对象,通过分析其符号学系统,深入探讨青铜器纹饰的文化内涵和逻辑演变。从符号学视角,结合青铜器实际案例,分析纹饰的形式结构和符号系统。通过对商周时期青铜器的历史背景进行深入阐述,揭示青铜器在当时社会中的重要性。通过对青铜器纹饰的逻辑系统分析,突显其在礼器、容器等不同器类中的使用规则和文化内涵。强调母题与主题之间的关系,阐释青铜器纹饰的符号演变过程,并将其置于商周历史背景下进行深层次的哲学符号学解读。通过本研究,不仅深化了对青铜器纹饰的理解,还为维特根斯坦的符号学理论在考古学研究中的应用提供了有益的范例。

Grounded in Wittgenstein's philosophy of linguistic signs,this paper focuses on the bronze ornamentation of the Shang and Zhou dynasties,delving into the cultural significance and logical evolution of these adornments through an analysis of their semiotic systems.Methodology:Taking a semiotic approach and utilizing specific examples of bronze artifacts,we dissect the formal structure and symbolic systems of the ornamentation.By providing an in-depth exposition of the historical context of Shang and Zhou bronze artifacts,we reveal their societal importance during that era.Results:The analysis of the logical systems of bronze ornamentation highlights the usage patterns and cultural connotations across different types of artifacts,including ritual vessels and containers.Conclusion:Emphasizing the relationship between motifs and themes,this study elucidates the symbolic evolution of bronze ornamentation,placing it within the profound context of Shang and Zhou history for a deep philosophical semiotic interpretation.This research not only enhances our understanding of bronze ornamentation but also provides a valuable example of applying Wittgenstein's semiotic theory to archaeological studies.