论齐白石“似”与“不似”的绘画观

On Qi Bai-shi’s Like&Unlike Painting Conception

中国画的美学观自古至今追求意象造型,以“形神兼备”为主要造型手段.形态并非绘画的重点,这与西方绘画的追求逼真相似有所不同.中国画更注重通过形态来表达画家内心的意气和情感,体现出物象在主观与客观上的和谐统一.齐白石在继承前人的基础上进行了总结,他把作画的妙处定义在似与不似之间,这是对中国画最为精辟的定位,非常巧妙地总结了中国几千年来绘画的精髓所在.

The aesthetic view of Chinese painting has pursued image modeling since ancient times,with"likeness both in shape and spirit"as the main means of modeling.Form is not the focus of painting,which is different from the pursuit of western painting.Chinese painting pays more attention to the expression of the painter's inner spirit and emotion through the form,reflecting the image of the subjective and objective harmonious unity.Qi Baishi made a summary on the basis of inheriting the predecessors,defined the beauty of painting between likeness and unlikeness,which is the most insightful positioning of Chinese painting,and a clever summary of the essence of Chinese painting for thousands of years.