摘要
宋代对孟嘉的接受无论是在文本的丰富性、文体的多样性还是阐释的多维性上较唐代均有明显进步。宋代盛行的重阳文化、崇陶、崇杜文化以及交游唱和文化是推动孟嘉接受的主要动力。这些复杂的文化语境交互影响,最终定型为文本时则使之呈现出强烈的“互文性”。在“互文性”理论的视域下对这些文本进行考察,能更好地透视孟嘉作为文化经典的建构过程以及唐、宋士人文化性格上的差异。
The acceptance of Meng Jia in the Song dynasty has made significant progress compared to the Tang dynasty in terms of the richness of the text,the diversity of the literary style,and the multidimensional interpretation.The prevailing Double Ninth Festival culture,Tao Yuanming worship culture,Du Fu worship culture,and the culture of socializing and poetry communication in the Song dynasty were the main driving forces behind Meng Jia's acceptance.These complex cultural contexts interact and influence each other,resulting in a strong"intertextuality"when finalized into text.Examining these texts from the perspective of the theory of"intertextuality"can help us better understand the construction process of Meng Jia as a cultural classic and the differences in cultural personalities between Tang and Song people.
作者
龚铃洲
张文青
GONG Ling-zhou;ZHANG Wen-qing(School of Humanities,Central South University,Changsha,Hunan,410083)
出处
《贵州师范学院学报》
2024年第2期15-23,共9页
Journal of Guizhou Education University
关键词
“互文性”
孟嘉
宋代
接受
"Intertextuality"
Meng Jia
Song Dynasty
Acceptance