摘要
杨双智采用南音的指骨谱及参照洞箫、二弦的润腔,将南音传统器乐作品《梅花操》改编成《第一钢琴组曲“梅花”》。其乐谱与南音《梅花操》高度形似,但因演奏乐器、发声媒介的不同,致使润腔、钢琴指骨谱音区发生变化,以及支声复调与主调织体转变等,钢琴曲与南音又呈现神韵迥异。尽管如此,以传统音乐为素材的钢琴改编曲对推动中国钢琴音乐多元化发展和促进大众了解中国传统音乐都是有益的尝试。
Utilizing the Zhigu score of Nanyin Music,along with reference to diminution of vertical bamboo flute and Er’xian(a Two string Fiddle),Yang Shuangzhi adapted the Nanyin Music traditional instrumental piece Wintersweet Score into a piano composition titled The First Piano Suite Wintersweet.While the score closely resembles the original Nanyin Music Wintersweet Score.However,as the difference of performance instruments and sounding media lead to shifts of the diminution and the range of the Zhigu score in the piano,together with the changes of heterophony and homophonic texture,the piano suite and Nanyin music exhibit markedly distinct artistic flavors.Nevertheless,piano adaptations based on traditional music materials are beneficial to promote both the diversified development of Chinese piano music and public understanding of Chinese traditional music.
作者
陈黎丽
CHEN Lili(School of Music and Dance,Quanzhou Normal University,Quanzhou Fujian 362000,China)
出处
《泉州师范学院学报》
2024年第1期43-51,共9页
Journal of Quanzhou Normal University
关键词
南音
《梅花操》
钢琴改编
润腔
Nanyin Music
Wintersweet Score
piano adaptation
diminution