水火交融:“新主流”背景下香港动作电影的暴力美学展现

Water and Fire Blend:The Violence Aesthetics of Hong Kong Action Films in the Background of"New Mainstream"

香港电影历经了起起伏伏,但始终呈现螺旋式上升的趋势。纵观时下电影,从制作构成上看,港产动作电影已占据半壁江山,而从影片类型上看,“新主流电影”同样是中国电影的中流砥柱,“新主流”已然成了中国电影共同奋进的新赛道。同时,动作片以身体美学作为美学表达基础,港片在此之上又发展出了独特的“港式暴力美学”。其大致具有两个特点:一是表现形式上暴力元素的坐标移位;二是内核上动作电影的文化合流。该文着重论述了这两个特点的呈现。“新主流”背景下对香港动作电影暴力美学的探究将有助于更好地理解港片的流变,并为之后的电影创作提供指导。

Hong Kong movies have experienced ups and downs,but have always shown a spiral upward trend.Looking at current movies,from the perspective of production composition,Hong Kong-produced action movies have occupied half of the territory,and from the perspective of film genres,"new mainstream movies"are also the mainstay of Chinese cinema,and"new mainstream"has become a new track for Chinese movies to advance together.On the other hand,action movies use physical aesthetics as the basis of aesthetic expression,and Hong Kong movies have developed a unique"Hong Kong-style violent aesthetics"on top of that.And it generally has the coordinates of the violent elements of the displacement,and the cultural merging of action movies which are respectively the performance and the core of the two characteristics.This paper will focus on these two points of presentation.Therefore,the exploration of the aesthetics of violence in Hong Kong action films on this new track will help to better understand the evolution of Hong Kong films and provide guidance for subsequent movie creation.