摘要
薛舒的非虚构新作《太阳透过玻璃》,是其《远去的人》的续作,描述父亲住进病院直至去世,在叙述对失智失能父亲的照料中,描述病房其他病友的状态,也呈现出护工们的工作与追求,从一个病房写出了整个社会,中国式的情感特色呼之欲出。薛舒写的是临终病院的苦痛人生,她常特意用一些欢快的声音来冲淡文字的痛感,最终汇成一场情感交融的交响乐。非虚构写作与人的潜意识有着紧密的联系,所谓的记忆就是不同的事情进入心灵的顺序。薛舒的非虚构创作已经达到比较高的境界和层次。
Xue Shu's non-fiction works,The Sun through the Glass,a sequel to her novel,Gone Man,describes her father who was hospitalized until his death.In the description of the care for the father of dementia and disability,the author writing about the whole society from the ward by describing the status of other patients,and presenting the work and pursuit of the nurses.In the novel,the Chinese-style emotion emerges naturally.Xue Shu’s writing is the deathbed of the painful life,however,she often uses some cheerful voice to dilute the pain in the text,and the writing eventually comes into an emotional blend of the symphony.Non-fiction writing is closely related to the subconscious,and memory is the order in which different things enter the mind.Xue Shu's non-fiction creation has reached a relatively high level and level.
作者
杨剑龙
虞涛
薛舒
吴越
YANG Jianlong;YU Tao;XUE Shu;WU Yue(School of Humanities,Shanghai Normal Vniversity,Shanghai 200234;Shanghai Writers Association,Shanghai 200040;HARVEST Magazine,Shanghai 200040,China)
出处
《曲靖师范学院学报》
2024年第1期1-8,共8页
Journal of Qujing Normal University
基金
国家社会科学基金重大项目“中国现代文学图像文献整理与研究”(16ZDA188)
上海高水平大学建设上海师范大学中国语言文学创新团队成果。