文化交融视角下清代外销瓷仕女图的类型与风格

Types and Styles of Portrait of Ladies on the Qing's Export Porcelain from the Perspective of Cultural Integration

中国外销瓷作为一种文化符号,为西方人的“东方想象”提供了无限的灵感,也融入了中国人对西方的畅想。仕女图分为中国传统仕女形象和中西同构的女性形象,作为清代外销瓷的主流纹样,既有外来式样的中国变体,又有经融合、再造的西方本土式样,由此产生了新的意境。图像表现式样是在文化交融语境下交流与互动的产物。清代外销瓷仕女图是东西方文明互鉴的绝佳载体,有利于在文化交融中把握中国陶瓷文化的魅力。

As a striking cultural symbol,China export porcelain not only provides an infinite source of inspiration for the"Oriental imagination"of Westerners,but also integrated into the imagination of Chinese people about the West.As the mainstream pattern on the export porcelain of the Qing Dynasty,the pattern of"The Portrait of Ladies"is divided into traditional Chinese beautiful women figures and female figures created both by Chinese and Western world.In circulation,there are both Chinese variants of foreign styles,and Western native styles of fusion and reconstruction,resulting in a new image with artistic conception,which is the exchange and interaction of image expression styles in the context of cultural integration.The portrait of ladies on the Qing's Export Porcelain is a perfect carrier of mutual learning between Eastern and Western civilizations,which greatly avails the comprehension of the charm of Chinese ceramic culture from the perspective of cultural integration.