摘要
随着“影像技术”的发展,以《舞蹈风暴》为代表的综艺舞蹈节目一度成为“爆款综艺”。就其形式和内容而言,该类型节目有悖于“舞蹈本体”艺术,具体体现在影像技术的泛化、大众审美的干预以及身体语言的弱化等几个方面。基于此,文章提出建构舞蹈动作的“身体修辞”、强化文以载道的“审美标准”,以及形成“本土化意识”的综艺理念,以此为标准对综艺舞蹈节目进行规制与优化。
Nowadays, with the effective development of “video technology”, the variety dance shows led by “Dance Storm” once became an “explosive variety”. From the point of view of both form and content, the variety dance shows led by Dance Storm are contrary to the “dance ontology”, which are embodied in the generalization of image technology, the intervention of the public aesthetic and the weakening of body language. Based on this, the paper proposes to construct the “body rhetoric” of dance movements, strengthen the “aesthetic standard” of the text and form the “localization consciousness”, and take all those as guidelines for standardization and optimization of the variety show.
作者
宗怡然
魏帅
ZONG Yiran;WEI Shuai
出处
《淮南师范学院学报》
2024年第1期120-123,共4页
Journal of Huainan Normal University
基金
淮南师范学院2023年校级科研一般项目“舞蹈作品编创中的表意研究”(2023XJYB032)。