图像、接受与生命——兴象的现代诗学意义阐微

Image,Reception and Life:An Explanation of the Modern Poetic Significance of Xingxiang

兴象具有民族性审美特征及多方面现代诗学意义,应成为中国诗学的一个核心范畴。首先,兴象是具有整体性、结构性、开敞性的内视图像,超越了语词符号和物象叠加,它与意象不同,可不包含物象,指向整体视觉审美经验。其次,兴象具有生成性、共生性、生发性,其生成受语境和情境制约。兴象与意境有心观与身临之别,是抵达意境的必由之路。“物象、意象、兴象、意境”可建构新的审美接受次序。再次,兴象源于生命感动,包含欣赏者的全部生命体验,是其生命图式借由艺术品得到的感性印证。兴象审美反对话语生产和技术思维。激活兴象不仅在于理论阐发,还需重返鲜活的审美实践。

Xingxiang has national aesthetic characteristics and various modern poetic meanings,and should become one of the core categories of Chinese poetics.Firstly,Xingxiang is an internal visual image with integrity,structure,and openness,surpassing the superposition of language symbols and objects.Unlike imagery,it does not include the image of things and points to the overall visual aesthetic experience.Secondly,Xing Xiang has generative,symbiotic,and generative characteristics.The generation of Xingxiang is constrained by context and circumstances,there is a difference between imagery and intended scene in terms of mental perception and physical experience.Xingxiang is the only way to reach intended scene.The sequence of“object,image,imagery,and artistic conception”can construct a new order of aesthetic acceptance.Thirdly,Xingxiang originates from the touch of life,including the entire life experience of the appreciator.Xingxiang is the emotional confirmation of the appreciators life schema obtained through art work.Xingxiang aesthetics opposes discourse production and technological thinking.Activating Xingxiang not only relies on theoretical analysis,but also requires a return to vivid aesthetic practice.