生态危机时代非人类中心主义的审美救赎

Aesthetic Redemption of Non-anthropocentrism in the Age of Ecological Crisis

人类中心主义是导致生态危机的根本原因,其在一种二元论的等级制度中把握人与自然的关系,人被视为自然的主宰,自然则被视为无能动性的僵死客体,忽视了人与自然的亲密共存关系,造成人对自然的肆意掠夺。身体是破解人类中心主义等级制和人与自然二分状态的关键,物质性身体关联着人与环境,身体状况与环境状况密切相关,环境作为能动者影响人类的身体状况和存在状态。在环境发生极大变化的生态危机时代,人们已经不能通过艺术文本静观生态危机,而是被卷入其中,在日常生活中直接体验到生态变化。人们需要审美介入,关注日常生活体验中的生态要素,意识到人与自然的密切关联,建构人与环境的生态审美共同体。

Anthropocentrism represents the fundamental cause of the ecological crisis.It conceptualizes the relationship between humanity and nature within a binary hierarchical framework,where humans are regarded as the masters of nature,and nature is seen as a passive and lifeless entity.This perspective overlooks the intimate and interdependent coexistence of humans with nature,leading to humanity’s unrestrained exploitation of nature.The body plays a crucial role in challenging this anthropocentric hierarchy and the dichotomous separation between humans and nature.The material body serves as a nexus between humans and their environment,with the state of the body being inextricably linked to the condition of the environment.The environment,as an agent,influences human health and existence.Amidst the profound environmental changes characterizing the ecological crisis era,people can no longer be mere spectators of the crisis through artistic texts;rather,they are enveloped in it,experiencing ecological transformations directly in their daily lives.There is a need for aesthetic intervention,which necessitates an attentiveness to the ecological aspects inherent in everyday experiences,recognizing the profound connections between humans and nature.This recognition should inform the construction of an ecological aesthetic community that encompasses both humans and the environment.