津阪孝绰《夜航余话》解题及其比较文学视点

An Explanation and the Comparative Literature Perspective of Tsusaka Kōsyaku’s Yakō Yowa

《夜航余话》是日本江户儒者津阪孝绰在完成《夜航诗话》之后“附写”的一部日文诗话。从“诗话”和“余话”的内涵出发,可发现津阪孝绰两部著作创作思路和文学视点之不同,与《夜航诗话》集中品评鉴述中国诗歌不同,《夜航余话》引用日本俳谐、和歌论述汉诗句法、风格及地名之功效,兼论唐、宋诗之优劣,具有较为明显的比较文学视点。从“诗”到“余”的题名变化,亦体现出津阪孝绰审视“他者”时所附着的“自我”投射,利用他的这种“自我”投射,或可对我们利用中国古代文学反向研究日本文学产生利好影响。

Yakō Yowa is a Japanese Shiwa written by the Edo Confucian scholar Tsusaka Kōsyaku after completing YakōShiwa.Starting from the connotations of“Shiwa”and“Yowa”,it can be found that there are differences in the creative ideas and literary perspectives of the two works of Tsusaka Kōsyaku.Different from the collection of Chinese poetry in Yakō Shiwa,Yakō Yowa quotes Japanese Haikai and Waka to discuss the syntax,style and place names of Chinese poetry,and as well as the advantages and disadvantages of Tang and Song poetry,which has a relatively clear comparative literary perspective.The change in title from“Shiwa”to“Yowa”also reflects the“self”projection attached by Tsusaka Kōsyaku when examining“the other”.Using his“self”projection may have a positive impact on our use of ancient Chinese literature to study Japanese literature in reverse.