摘要
20世纪五六十年代的政治抒情诗忠实记录了新中国成立后的社会变革与公共生活的面貌,整体呈现出三种审美风格:宏大叙事中雄伟壮丽的崇高美、日常叙事中清新宁静的优美、异化情境中社会不良风气造成的荒诞感。无论是抒发社会主义建设革命豪情的壮美、表达日常生活幸福之感的优美,还是讽喻社会异化情境中的荒诞感,诗歌的价值内核仍然指向对真、善、美的追求。
The political lyric poetry of the 1950s and 1960s faithfully recorded the social changes and public life after the foundation of People's Republic of China,and presented three aesthetic styles as a whole:the sublime beauty of grandeur in grand narratives,the beauty of freshness and tranquility in daily narratives,and the absurdity caused by bad social customs in alienated situations.Whether it expressed the magnificence of the revolutionary heroic spirit of socialist construction,showed the beauty of happiness in daily life,or satirized the absurdity in alienated social situations,the core value of the poetry still pointed to the pursuit of truth,goodness,and beauty.
作者
袁琳
Yuan Lin(College of Humanities and Social Sciences,Huazhong Agricultural University,Wuhan 430070)
出处
《华中师范大学学报(人文社会科学版)》
北大核心
2024年第2期137-143,共7页
Journal of Central China Normal University:Humanities and Social Sciences
基金
国家社会科学基金重点项目“中国现代自由诗的文体建构研究”(23AZW019)。
关键词
政治抒情诗
崇高
优美
荒诞感
political lyric poetry
sublimity
beauty
a sense of absurdity