浅谈江南山水在陶瓷绘画中的表现形式

On the Expressive Forms of Jiangnan Mountains and Rivers in Ceramic Painting

山水题材自古以来备受各路画家青睐,山水画作为国画中最具代表性的一种,常以艺术家们对大自然中事物的细致观察和主观加工的形式展现在人们的视野。山水画历史悠久,从隋唐时期开始发展,表现形式也发展得越来越丰富,包括工笔写意水墨青绿等不同的表现形式。而从清末民初开始,珠山八友等艺术家以山水的题材引入陶瓷上,主要以王步、汪野亭为代表。山水画卷在陶瓷绘画艺术上徐徐展开。笔者以江南山水的审美意境和艺术特征为例,对陶瓷绘画中山水不同的表现形式展开简述。

Landscape themes have been favored by various painters since ancient times.As the most representative form of traditional Chinese painting,landscape paintings are often presented in people's perspectives through artists'meticulous observation and subjective processing of things in nature.Landscape painting has a long history and has been developing since the Sui and Tang dynasties,with increasingly diverse forms of expression,including meticulous freehand brushwork,ink,and green.Since the late Qing Dynasty and the early Republic of China,artists such as the Eight Friends of Zhushan have introduced landscape themes into ceramics,mainly represented by Wang Bu and Wang Yeting.The landscape painting scroll slowly unfolds in the art of ceramic painting.This article takes the aesthetic conception and artistic characteristics of Jiangnan mountains and rivers as an example to briefly describe the different forms of expression of mountains and rivers in ceramic painting.