唐长沙窑釉下诗文装饰

Tang Changsha Kiln Underglaze Poetry and Prose Decoration

“瓷上诗文”作为我国古代源远流长的特色工艺,具有独特的审美艺术特点。笔者以唐长沙窑的瓷上诗文装饰作为主要研究对象,深入探究了以窑工书写的诗文内容在瓷器上的艺术装饰特点,进一步对这些诗文收集、梳理。在本章节起到承上启下的作用,瓷上诗文就其功能来说,它不仅是瓷上的装饰纹饰,同时也是审美符号。即使其诗文题材大致以唐诗为主体,但深究其瓷器上的窑工诗文,内容与真正的唐诗之间存在怎样的联系?民间窑工随性书写的诗文有什么样的特点?艺术就像一面镜子,总是以一种具体可感的视觉形象向人们呈现出跌宕起伏的时代变迁,丰富多样的内外部因素共同影响下最终构成完整的图像,其独特视觉效果的背后成因我将在笔者重点论述。

"Poetry on porcelain"has its unique aesthetic and artistic characteristics as a characteristic craft with a long history in ancient China.This paper will take the poetry decoration on the porcelain of Changsha kiln in Tang Dynasty as the main research object.To explore the artistic decoration characteristics of the poems written by kiln workers on porcelain,and further collect and sort out these poems,this chapter plays a role in linking the past and the next.In terms of its function,poetry on porcelain is not only a decorative pattern on porcelain,but also an aesthetic symbol.Even if the subject matter of his poems is mostly Tang poetry,what is the relationship between the content of his kiln workers'poems on porcelain and the real Tang poetry?What are the characteristics of the random poems written by the folk kiln workers?Art,like a mirror,always presents the ups and downs of The Times to people with a specific visual image that can be felt.Under the combined influence of a variety of internal and external factors,a complete image is finally formed.I will focus on the causes behind its unique visual effects in this paper.