马克思主义文艺理论中国化与革命文学(1918—1949)述评

A Review of the Sinicization of Marxist Literary Theory and Revolutionary Literature(1918-1949)

马克思主义文艺理论的中国化过程与现代文学的发展同向同行,其中革命文学的诞生与发展,在反复论证与不断调整中获得成长。1918至1926年兴起的新文学运动对于马克思主义文艺理论的传播起到重要的作用;1927至1936年间的左翼文学推动了马克思主义文艺理论的中国化;1937至1949年间,马克思主义与中国的革命实践相结合,产生了毛泽东文艺思想,从而丰富和发展了马克思主义文艺观。以马克思主义文艺理论在中国的发展演变过程及其对现代文学创作的影响为研究内容,以不同时期代表性作家的文艺思想主张为切入点,揭示马克思主义文艺理论对于中国现代文学发展的重要影响。

The process of sinicization of Marxist literary theory and the development of modern literature go hand in hand.Among them,the birth and development of revolutionary literature have grown through repeated argumentation and continuous adjustment.The New Literature Movement that emerged from 1918 to 1926 played an important role in the dissemination of Marxist literary theory.The left-wing literature from 1927 to 1936 promoted the sinicization of Marxist literary theory.From 1937 to 1949,the combination of Marxism and China′s revolutionary practice gave rise to Mao Zedong′s literary and artistic ideas,thereby enriching and developing Marxist literary and artistic views.This article takes the development and evolution of Marxist literary theory in China and its impact on modern literary creation as the research content,and takes the literary ideas and propositions of representative writers in different periods as the starting point,in order to reveal the important influence of Marxist literary theory on the development of modern Chinese literature.