论数字藏品持有人展览行为的立法评价

On the Legislative Evaluation of the Exhibition Behavior of Digital Collection Holders

数字藏品持有人能否展览相应作品的论证,面临展览权与“展示权”内容差异大、数字藏品难谓作品原件、展览权与信息网络传播权冲突等诸多困境。从立法进程考察,我国不仅赋予展览权独立地位,还将载体转移引发的限制权利条款设计为分割权利条款。因此,对数字藏品持有人展览行为正当性的解读应在纠正展览权制度移植偏差的基础上,通过修改《著作权法》第20条第1款展览权“专门条款”,依据默示许可理论拟制免责事由条款,同时以“销售目的”限制线上展示行为过度豁免,从而实现限制权利的逻辑归位,完成因应数字交易特点的修正。

The question of whether the digital collection holders have the right to exhibit corresponding works presents several challenges,such as the significant differences between exhibition rights and the right to display,the difficulty in finding the digital collections as original copies of works,and the conflict between the exhibition rights and the right of communication of information on networks.Through an examination of legislative history,China not only grants exhibitions right an independent status but also designs the limiting rights provisions resulting from the separation of tangible media and intangible works as shared rights clauses.Therefore,the justification of the digital collection holders'exhibition behavior lies in revising the"specific clause"of exhibition rights in the first paragraph of Article 20 of the Chinese Copyright Law,and to make an exemption provision according to the doctrine of implied license.Meanwhile,the excessive exemption of online display behavior is restricted by"sales purpose".