东方色彩变奏曲——浅析闫平油画中的色彩语言

Variations of Eastern Colors——An Analysis of the Color Language in Yan Ping's Oil Paintings

自上世纪80年代以来,闫平对母子亲情主题、戏班子主题、花卉静物主题等题材进行了大量的创作,她极其注重作品中色彩语言的表达。本文以闫平油画作品中的色彩语言为研究对象,对其作品中的色彩语言进行分析,并从色彩的表现性形式、色彩的象征性表达等方面展开研究,探讨闫平在油画创作中所展现出的东方色彩情趣。闫平从油画本体语言出发,把自己对生活的感悟、对生命的思考融入到色彩语言中,以主观、绚丽的色彩书写生命的激情,呈现出极具象征性、表现性色彩的写意油画作品,她将中国油画的色彩意向性推进了一个更高的层次,用醇厚的色彩语言谱写如诗如歌般的东方色彩旋律。

Since the 1980s,Yan Ping has created a large number of works on the themes of mother and child affection,theater troupe,flowers and still life,etc.She pays great attention to the expression of color language in her works.This paper takes the color language in Yan Ping's oil paintings as the research object,analyzes the color language in her works,and carries out research from the expressive form of color,symbolic expression of color,etc.,and explores the oriental color interest shown in Yan Ping's oil paintings.Starting from the ontological language of oil painting,Yan Ping integrates her own perception of life and thinking about life into the color language,writes the passion of life with subjective and gorgeous colors,and presents highly symbolic,expressive colors in her realistic oil paintings.She pushes the color intentionality of Chinese oil paintings to a higher level,and writes oriental color melody like a poem or a song in her mellow color language.